Although this is the back panel of the BCF, the rear panels of both units are identical, with the exception that the BCF has one continuous footpedal jack and one footswitch jack, as shown here on the right, while the BCR has two footswitch jacks instead. In addition, it's not even necessary to connect the controllers to a computer: if you want hardware control over a workstation synth or sampler or some sort of MIDI-equipped rack gear, then the Behringers will happily work via MIDI only.
Practically all features available to the B-Controls when interfaced to a computer are available in stand-alone mode. You'll have to create most of your profiles from scratch, though, or at least until the B-Control community grows enough for users to start sharing their work. But perhaps you could be in the vanguard of that community!
Two units are recognised, and there's even a MIDI Out free for your host software to access — a pretty efficient way of cabling. In general, both B-Controls have one small problem, and that's in the area of labelling. Even though 32 presets isn't a large complement, it still represents a huge number of assignments. A single BCR preset, for example, has a potential individual assignments.
This leaves us with trying to keep track of what knobs or faders are doing what in which preset. Behringer help a little, with slim scribble strips running across various bits of the front panel, but these are only good for one set of assignments.
The alternative is to photocopy the supplied preset sheets or print out the PDF equivalents and write assignments out by hand. The audio side is quite well thought-out, with a choice of analogue sources: one high-impedance guitar input is joined by a pair of phantom-powered mic inputs and a stereo line input pair.
Behringer BCF & BCR
Only three analogue inputs can be used at any one time, but they can be treated to simple dynamics processing, in the shape of a noise gate and limiter. There are apparently surround monitoring options, too. In total, the interface can handle eight input and eight output audio channels simultaneously. Metering is well-thought out, as are the monitoring options. Watch out for a review in SOS soon!
Out of the box, the B-Controls are loaded with a few handy ready-made presets, and there are plenty more available for download at Behringer's web site. Another functions as a simple mixer. The Banks for the eight raised push encoders allows them to function as controls for Pan, Balance for stereo channels , Effects send 1 or Effects send 2.
The BCF then has eight level fades, obviously, but the BCR in this preset adds control over two-band EQ, since it has two extra rows of controllers per preset. This should be your first stop before trying to create your own presets. Nearly every device within Reason has a profile, as do most Native Instruments products. All you need is some sort of SysEx utility with which to send the data to the controllers the same goes for B-Control firmware updates; they're SysEx dumps, though PC users can use a handy custom Behringer update utility.
But eventually there will come a time when you want to create presets from scratch. It isn't that hard; the job can feel a little cramped, due to the small display, but when editing, the push encoders double up for choosing data types and values, MIDI channels and so on. Even so, the easy option for most assignment tasks remains the 'Learn' mode: just tweaking a parameter on your target MIDI application sends the necessary information at the B-Control, ready for capture and assigning to the fader, encoder or button of your choice.
Of course, there's some software that lacks MIDI Out, in which case you'll have no choice but to go about the process manually.
Propellerhead Reason falls into this category, but it's very well supported on Behringer's web site. And if you think creatively, you should be able to assimilate the control concept both in the studio and when playing live. For example, you could trigger samples or loops, control hardware sequencers, use the faders on the BCF as drawbars for software or hardware organs, play MIDI-equipped lighting rigs, and so on.
B-Control parameters can be customised as to how they respond, too. For example, when assigning an encoder to a parameter such as pan, the LED ring lights solidly as you move the encoder right or left. You could also simply choose to have one LED light at a time as a parameter is moved.
LOGIC PRO X WORKSHOP
Just remember to store your work once you've finished editing! If you check out the box on the final page of this review, you'll find another alternative in the shape of the recently released and free! BC Edit application. With this on your computer, there's no need to edit the B-Controls in any other way.
Recent updates to the B-Control firmware from v1. When emulating these other controllers, the BCF has very similar functionality, with banks of eight mix control channels changed by the preset up and down buttons. In Pro Tools LE, for example, level-riding, pan, solo, mute and track-arm functions are supported, along with basic transport operations. Editing the B-Controls from their front panel is no great hardship — the 'learn' option makes the process fairly painless.
The display is small, though, and keeping track of controllers with no way to physically label them can be tricky. This sort of thing is always easier with a software editor, and Behringer apparently planned such a thing from the start. Though currently a beta release, it offers great functionality and seems stable. While I was finishing this review, BC Edit v0.
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The most surprising thing about this free editor is that it's a Java applet, and will thus run on any platform with a compatible Java environment. The early version I used was functional, if a little bit clunky, though that is probably down to Java more than the Applet itself.
- BCF Implementation for Studio One.?
- BC Manager!
- Setting up the Behringer BCF as Contr… - Apple Community.
- BC Manager 126.96.36.199 for macOS.
- Start Using LrControl.
All encoder, button and fader assignments can be customised with a basic but clear graphic display and that includes managing the four possible banks of controllers. Sets of presets can be saved to your hard drive, and moved to and from any attached B-Controls. There's even a hint in the user guide that the software may become compatible with 'future MIDI controller products'.
We await Behringer's forthcoming news with interest! First impressions of the B-Controls are good: they're a nice chunky size without being too big, there's loads of rooms for fingers between knobs and faders, and delays between control moves and on-screen action were undetectable in my tests. The faders feel good if a little flimsy, and the encoders move well, with great visual feedback from the LED rings.
Closer examination leads one to the conclusion that the packaging is a little plasticky, but bearing this in mind should lead to a long and happy working life. I mean, I can be impressed by build quality as much as the next guy — for example, CM Labs' Motormix is a wonderful piece of hardware, as well as offering an amazing feature set.
It's very hard not to like the B-Controls, and though price alone will ensure them a big slice of the MIDI controller market, their functionality is such that even demanding users won't be disappointed. The integration with software is exactly what most of us need, both in terms of simple control and editing and for recording complex mixes or parameter changes into a sequence. Although it can take a while to get used to which controls govern which on-screen elements in certain applications — Reason 's Subtractor synth, for example — being able to access all those parameters at once is highly welcome.
Editing the BCR and BCF from their front panels is reasonably acceptable, though the 'learn' function and free editing software mean that most of us won't have to in most situations. It remains reassuring to know that the process is as straightforward as dealing with MIDI bits and bytes can be, though.
Behringer seem committed to supporting these devices, with all those on-line documents for free download. Then you should be able to add it to Logic as a "Logic Control". Check out this link for the solution that worked for me! Did you put the BCF in logic control emulator mode?
Behringer BCF2000 & BCR2000
It has a mode that emulates a logic controller so it will be compatible as long as Logic supports Logic Controllers. Here are instructions to put it in logic mode if you haven't done that yet. LPX It's me or someone else has fond a correct way to make it works?