Better touch tool mac presets

This is because Safari doesn't show the title of the video on the tab header this is why the script just returns "YouTube". I tried many things such as changing the text encoding of Safari, disabling ad blocker plugins and they all seem to work temporarily. Ultimately, I realised that just doing a refresh of the webpage will actually bring back the title of the video on the tab header, causing the title of the video to show up on the Touchbar.

I know this isn't a solid fix but I am really scratching my head at this one. Once again, here's the updated Version 1. Would it be possible when holding the command key to swap out the app switcher icons to a selection of emojis that I use frequently? I know, I know When I hold command in a finder window what is the green icon with the folder and the downward arrow in between trash and show hidden files..

Do you mean something like this: image. The green icon with the folder represents "move" ie. I included that button so that I could move files more conveniently with my right hand. So after you copy, you can press the green folder button to move the copied file ie. I'll be rolling out Version 1. Will include the emoji bar that you request! I've updated the preset. Added Spark mail client feature activate it in the preset and an emoji bar. Then uncheck the App Switcher widget above to remove the app switcher. JTL August 7, , am 2. Thanks so much! The automatic 'Finder' controls don't appear for me when I open Finder.

Can I make the new mail notifications work with the email app: "Spark"? Thanks man! Hey JTL! JTL August 7, , pm 5. Thanks so much man! Love it! Do you accept donations? JTL August 7, , pm 6. Yes I do haha, you're too kind! Which part of v1. JTL August 7, , pm 9. All working! JTL August 9, , am How much energy is your BTT using in activity monitor?

Usually that's caused by script widgets with small repeat rate values. Sorry should have updated it in v1. JTL August 14, , pm Thanks dude. Happy with it so far, send me a link to donate when you can. Easy fix. With Auto Gain, you can adjust the volume range that Voice Synth will adapt to automatically. Use with care, as high auto gain may also cause noise to be amplified when you deliberately speak soft. Delay Delay is a well-known effect to add echos, with three controls. Delay Loop adjusts how the volume of subsequent echos diminishes over time, with zero loop you hear just one echo, with e.

Delay Time ranges from seconds, with times around 0. The Delay Time can be synced to other timed effects sampler, arpeggiator and strobo. When synced, Delay Time will be automatically adapted by a few percent to align the timings to usefull ratios , , etc , providing interesting rhythms. Reverb Reverb is a well-known effect to add reverberation, providing the impression of a room in which sound reverberates. Mostly, reverb is essential to give sounds a natural and comfortable impression. Reverb has two controls.

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Chorus Chorus is a well-known effect to add the impression of multiple people singing the same together at the same time. Chorus has two controls. Chorus Speed regulates the speed with which the multiple people sing slightly out of pace. In earlier Voice Synth versions, a separate control for Chorus Depth was available which is currently integrated in Chorus Mix.

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Vocoder Mix This allows you to partially mix the vocoded sounds with your original voice. Use to e. Strobo and Slew Slew, or vocoder slew rate, is a vocoder-specific effect to provide extra endurance to sounds that already stopped. In combination with other effects, it produces sounds of plucked strings, wind, thunder, and storms. Strobo, or stroboscopic vocoder gating, gives your voice a stroboscopic effect, with a strobotime adjustable from second. The Strobo time can be synced to other timed effects sampler, arpeggiator and delay. When synced, Strobo time will be automatically adapted by a few percent to align the timings to usefull ratios , , etc , providing interesting rhythms.

The keyboard is the synth part of Voice Synth. It adjusts the pitch of your voice and creates harmonies when multiple keys are pressed. Besides the keyboard, there are three other factors influencing pitch: pitch shift and your voice according to the pitch mode main menu , and the registers on their panel. If all of these other factors are absent pitch mode off, zero pitch shift, registers are reset , the central C on the keyboard in the center on iPad, the left-most key on iPhone , is the C of approx. The keyboard, your voice, the registers, and pitch shift, are all effectively "added" to produce the final pitch, relative to C The registers co-operate with the keyboard, any stroke on either of them triggers all the strokes on the other, in any combination.

With this, you can build-up chords in the register panel, which can be played with one keystroke on the regular keyboard. The musical scale panel allows you to include particular notes and exclude others. The excluded notes will disappear from both the keyboard and the register panel. When musical scale or AutoPitch is on, the central key on the keyboard will act as and be labeled with the current tonic, which may no longer be "C".

When the registers are reset orange button , only the middle M register is on.

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Effectively, the registers are then "inactive". When the low register L, on octave lower is also on, to every keystroke on the regular keyboard an extra keystroke will be generated one octave lower. Etcetera for all registers. On the scale panel you can adjust musical scale by selecting and deselecting indivual notes C, C , D, A , B , or select one of the 6 presets major, minor, harmonic minor, pentatonic, diminished, augmented.

The latter can also be done with the scale shift ring on the main menu. The equalizer is a band equalizer with VU meters and sliders. The sliders are freely adjustable manually drag vertically or swipe horizontally , and via ten presets loudness, telecom, high-pass etc. The arpeggiator allows you to automatically play all active registers and keys pressed on the keyboard in a progressive pattern over time. The pattern can be adjusted to upwards, downwards, first up then down, or first down then up. The whole progression can be repeated over 2, 3 or 4 octaves or not repeated, that is 1 octave.

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The arpeggiator speed can be synced to other timed effects sampler, delay and strobo , by tapping the sync icon in the ARP display, or in the ARP button on the main menu. When synced, arpeggiator speed will be automatically adapted by a few percent to align the timings to usefull ratios , , etc , providing interesting rhythms.

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The arpeggiator can be triggered, or restarted, in different ways: Never it runs freely , at the first keystroke while subsequent additional keystrokes are ignored, at every keystroke, or by the sampler when it starts playing. In the latter case, if the sample is looping, the arpeggiator's progression can be microsynced to the closest current note at every sampler looparound.

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Instead of playing all registers and keys one by one, the keys can be grouped into a chord to be played at once, while the registers are played progressively. Or vice versa, or both. The sampler panel has two views, the library and the editor. In the library, you can list all samples, or only your favorites toggle via button with grid and star icon. You can adjust whether samples are played automatically when selected toggle via the button with rectangle and small play icon. Voice Synth comes with more than 35 factory samples, and an unlimited amount of user samples, shown alphabetically.

Browsing through all of them, or switching between two samples starting with "A" and "Z" during a performance may seem prohibitive. The sampler cannot be time synced itself, it is the timing source for optionally syncing the arpeggiator, delay and strobo effect times. A preset contains all Voice Synth effect settings, possibly together with a sample. The presets panel shows the library of all presets, or your favorites toggle via button with grid and star icon.

After selecting a preset in the library, this preset will be "active", and show up bright red. Once you change any effect that may happen very fast , the preset is considered "changed" to a new preset that has not yet been saved. The long name bar below the library will light up bright red. Scrolling effectively through presets Voice Synth comes with more than factory presets, and an unlimited amount of user presets, shown alphabetically. Browsing through all of them, or switching between two presets starting with "A" and "Z" during a performance may seem prohibitive. Z Importing presets Presets can also be imported when received e.

If you get only the option to "Copy" e. Special preset modes Presets normally include all effect settings, in particular whether they use live or sampler mode. This is indicated in the library L and S. Designer Test presets are indicated by a tool icon. This feature is intended for advanced users, and may be present only partially in Voice Synth Modular depending on purchased modules. With the MORE button, you can delete and rename tapes. The Audio Midi panel is for advanced users. It shows which audio device is currently active, the device input and output gain trimming, the noise gate, midi device and channel, background audio, engine reset, and intro-sound.

The audio input icon shows which audio source is currently used as input, e. Tap the icon to select a different audio input among possible other available options. On macOS, audio input can be chosen independently from the output. On iOS, audio input and output are sometimes paired. The input gain trim slider is located below the audio input.

The audio output icon shows which audio destination is currently used as output, e. Tap the icon to select a different audio output among possible other available options. On macOS, audio output can be chosen independently from the input. The output gain trim slider is located below the audio output. The noise gate is used to suppress input noise from mics, while letting your voice pass through.

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It has three components. First, the manual noise gate shows the input VU level with a slider. If the input level passes beyond the slider's right side, the noise gate opens. If the input level drops beyond the slider's left side, the noise gate closes. Adjust such that the environment's noise does not open the noise gate, but your voice does. Secondly, you can turn on "Auto" which will set the slider automatically based on the average incoming noise and voice.

Check whether auto or manual works best in your case. Finally, the third noise gate component is a separate adaptive noise reduction. It is fully automatic and frequency-adaptive. It may supress high frequency noise while letting through a low frequency voice. It is naturally on, select bypass for high-quality low-noise mics, and also if you prefer some noise over the slight effect the adaptive noise reduction has on audio input.

Reset all components of Voice Synth's engine and clears all midi keys currently down. Use e. On iOS, enables Voice Synth's engine to continue in the background after leaving the app, allowing you to operate other apps on your device, or turn of your screen to save battery. On macOS, this feature is always enabled. Enable or disable the sounds and animations when Voice Synth is launched.

Disable e. Select none, one or all of the available midi sources to drive Voice Synth's keyboard and effects. You can select hardware controllers connected to your device, midi outputs from other apps, or Voice Synth's midi input, to which you can connect within other apps. When Voice Synth is hosted as audio unit by a DAW as midi-controllable instrument or effect, the host will always be selected as additional midi source, and the audio unit icon will appear next to the selected midi source. Select one or all of the 16 midi channels. The button is responsive to presses on the left and right side, to change channel up or down.

Voice Synth is very well suited for live voice performances, e. The analog connector is a 4-pin mini-jack plug with a stereo output signal, and a mono input for the mic with a very tiny bit of power as required by most headsets. Splitter cables are available in a wide variety, but we do not recommend them as in our experience they provide very varying results.

Dedicated analog interfaces are also available e. We recommend the use of digital audio interfaces. On the Mac, connect them via USB or firewire etc. On iOS, they connect via the lightning port. Interfaces are available that connect directly to the lightning port e. FocusRite iTrack Solo Lightning , and possibly offer simultaneous power charging.

Alternatively, an Apple lighting-to-usb-camera-adapter enables to connect a standard usb audio interface e. Behringer UFO Many usb audio devices work really well, provided they need little power and no special drivers. This is a cheaper option and you have a wider range of audio devices to choose from, but always check if your audio device is supported.